Under Construction

Relationships - Eric Satie and Suzanne Valadon

- -

Index

Eric Satie and Suzanne Valadon's background

What makes Eric Satie and Suzanne Valadon such a great example?

Eric Satie and Suzanne Valadon's background

Eric Satie was a French musician, composer of the unusually haunting melodies of Gymnopédies and Gnossiennes, and pianist for the cafes of Montmartre. He was a notable eccentric, and could not have been called a ladies man, having only one romantic relationship in his life, for five months during 1893.

Suzanne Valadon was an artist who was romantically involved with Eric Satie. She appears to have been far more worldly wise than Eric, and left on her own terms. The following year she became the first woman painter admitted to the Société Nationale des Beaux-Arts.

Eric Satie was so out of his depth with Suzanne Valadon, and the episode left him scarred, But what could explain the attraction from her part when all things considered he was punching so far above his weight?

Some while before meeting Eric Satie, Suzanne Valadon was modelling for and probably involved in a relationship with Henry Toulouse-Lautrec which illustrates her nature a little more

Note. Eric Satie was born with

What makes Eric Satie and Suzanne Valadon such a great example?

Eric Satie and Suzanne Valadon

The aspects between the charts of Eric Satie and Suzanne Valadon were

The chart shown is Eric Satie's birthchart, together with Suzanne Valadon's birthchart as transits around the outside. Aspect lines [traditional] are between the two birthcharts.

Eric Satie and Suzanne Valadon

The aspects between the charts of Eric Satie and Suzanne Valadon were

The chart shown is Eric Satie's birthchart, together with Suzanne Valadon's birthchart as transits around the outside. Aspect lines [traditional] are between the two birthcharts.

Suzanne Valadon and Henry Toulouse-Lautrec

The aspects between the charts of Suzanne Valadon and Henry Toulouse-Lautrec were

The chart shown is Suzanne Valadon's birthchart, together with Henry Toulouse-Lautrec's birthchart as transits around the outside. Aspect lines [traditional] are between the two birthcharts.